#C4CBD3In north light the pale gray wall at LRV 74 reads cool and slightly flat. It still bounces light well, so the room stays bright. The rose and violet will look a little cooler than their swatches.
Paint colors for your home, inside and out
19th-century French painting · art-to-room palette
This palette is taken from Mary Cassatt's 1893 oil painting The Child's Bath, held at the Art Institute of Chicago. It mixes soft rose and olive with a pale gray and deep plum, so it suits rooms that want warmth without heavy color.
Quick answer
Use the pale gray #DAE0E5 on the walls, the dusty rose #C79E9C as the main color on larger pieces, and the dusky violet #6A647E as an accent on a door, cabinet, or chair. Bring in the terracotta brown #814A42 through textiles and the deep plum brown #5D363C in small doses.
Measured from the image and ordered by how much of the canvas they cover. LRV is how much light a color reflects, from 0 for black to 100 for white.
Left, every pixel of the canvas snapped to its nearest palette color. Right, the detail where each color is strongest.
The nearest color from each brand. “Near-identical” and “Very close” are hard to tell apart on a wall; with “Similar”, compare a sample with the painting. Brands with nothing close are left out.
| Painting color | Closest paints | LRV | Use it for |
|---|---|---|---|
Muted olive green#7B7C67 |
|
20 | Small accents, art, accessories |
Dusky violet slate#6A647E |
|
14 | One bold piece |
Dusty rose clay#C79E9C |
|
39 | Bed, sofa, curtains |
Cool pale gray#DAE0E5 |
|
74 | Main walls |
Deep plum brown#5D363C |
|
5 | Small accents, art, accessories |
Warm terracotta brown#814A42 |
|
10 | One small textile |
Paint names belong to their brands. Matches are measured from screen colors and are approximate; Light & Pigment is not affiliated with any paint brand.
The wall color shifted for the light it will live in. Check the version closest to your room before buying a sample.
#C4CBD3In north light the pale gray wall at LRV 74 reads cool and slightly flat. It still bounces light well, so the room stays bright. The rose and violet will look a little cooler than their swatches.
#E2E1DDStrong south light lifts the pale gray wall and can make it look almost white. The dusty rose will look warmer and more saturated. Check the wall at midday before you commit.
#BDB1A0Under warm evening bulbs the pale gray takes on a soft warm tone. The dusty rose and terracotta deepen and glow. The dusky violet can shift toward gray, so test it under your own lamps.
Pick which painting color goes on the walls, the big furniture and the bold piece. Floors, shadows and light follow your choices.
Wood takes a warm mid-brown and the rug border takes Warm terracotta brown in every combination.
Details from the painting next to the colors and materials that carry them into a room.
A card with the painting, all 6 colors and a room scheme. Pin it, or take it to the paint store.
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You can, but keep the pale gray on the walls and let the other colors take smaller roles. Using the darkest shades in small amounts keeps the room balanced.
The deep plum brown at LRV 5 absorbs most light, so use it sparingly in a dim room. A pale gray wall at LRV 74 will help the room feel open. Try the plum on one piece of trim or a single accent first.
The pale gray #DAE0E5 works well on ceilings and trim because it is light and neutral. It keeps the room bright and lets the rose and violet stand out on walls and furniture.
Image: The Art Institute of Chicago, Public domain (CC0). Palette, posterized image, details and room views generated by Light & Pigment from that image. Colors look different on screen than on a wall, so always test a sample.