19th-century French painting · art-to-room palette

The Child's Bath Color Palette & Paint Colors

This palette is taken from Mary Cassatt's 1893 oil painting The Child's Bath, held at the Art Institute of Chicago. It mixes soft rose and olive with a pale gray and deep plum, so it suits rooms that want warmth without heavy color.

Quick answer

Use the pale gray #DAE0E5 on the walls, the dusty rose #C79E9C as the main color on larger pieces, and the dusky violet #6A647E as an accent on a door, cabinet, or chair. Bring in the terracotta brown #814A42 through textiles and the deep plum brown #5D363C in small doses.

Date
1893
Collection
The Art Institute of Chicago
Image license
Public domain (CC0)
Wall color LRV
74
The Child's Bath by Mary Cassatt
Mary Cassatt, The Child's Bath, 1893. The Art Institute of Chicago, open access. The bar shows each color's measured share of the canvas.

The 6 colors in this painting

Measured from the image and ordered by how much of the canvas they cover. LRV is how much light a color reflects, from 0 for black to 100 for white.

Muted olive green
#7B7C67 · 27.1% · LRV 20
Dusky violet slate
#6A647E · 22.3% · LRV 14
Dusty rose clay
#C79E9C · 18.2% · LRV 39
Cool pale gray
#DAE0E5 · 16.9% · LRV 74
Deep plum brown
#5D363C · 11.1% · LRV 5
Warm terracotta brown
#814A42 · 4.5% · LRV 10

Where each color lives in the painting

Left, every pixel of the canvas snapped to its nearest palette color. Right, the detail where each color is strongest.

The Child's Bath reduced to its palette colors
The same scene in 6 flat colors.
Detail of the painting where Muted olive green is strongest
Muted olive green
Detail of the painting where Dusky violet slate is strongest
Dusky violet slate
Detail of the painting where Dusty rose clay is strongest
Dusty rose clay
Detail of the painting where Cool pale gray is strongest
Cool pale gray
Detail of the painting where Deep plum brown is strongest
Deep plum brown
Detail of the painting where Warm terracotta brown is strongest
Warm terracotta brown

Closest paint colors

The nearest color from each brand. “Near-identical” and “Very close” are hard to tell apart on a wall; with “Similar”, compare a sample with the painting. Brands with nothing close are left out.

Painting color Closest paints LRV Use it for
Muted olive green
#7B7C67
  • Behr BNC-36 Restful Brown Very close
  • Sherwin-Williams SW 6186 Dried Thyme Close
  • Valspar 6004-4C Gaucho Close
  • Farrow & Ball No. 47 Green Smoke Similar
20 Small accents, art, accessories
Dusky violet slate
#6A647E
  • Behr PPU16-18 Hyacinth Arbor Very close
  • Sherwin-Williams SW 6551 Purple Passage Very close
  • Valspar 4001-6C Metropolis Lilac Close
  • Farrow & Ball No. 220 Pitch Blue Similar
14 One bold piece
Dusty rose clay
#C79E9C
  • Behr 220F-4 Sombrero Tan Near-identical
  • Valspar 1006-8A Cameo Pink Very close
  • Sherwin-Williams SW 6297 Rose Embroidery Very close
  • Farrow & Ball No. 246 Cinder Rose Close
39 Bed, sofa, curtains
Cool pale gray
#DAE0E5
  • Behr MQ3-26 Mainsail Near-identical
  • Valspar 4003-5A Sapphire Glow Near-identical
  • Sherwin-Williams SW 6238 Icicle Very close
  • Farrow & Ball No. 235 Borrowed Light Close
74 Main walls
Deep plum brown
#5D363C
  • Behr S-G-720 Fireside Very close
  • Farrow & Ball No. 222 Brinjal Very close
  • Valspar 1011-5 Royal Garnet Very close
  • Sherwin-Williams SW 6300 Burgundy Close
5 Small accents, art, accessories
Warm terracotta brown
#814A42
  • Behr 210F-7 Brown Thrush Very close
  • Sherwin-Williams SW 7591 Red Barn Very close
  • Valspar 2003-7A Chocolate Cherry Close
  • Farrow & Ball No. 43 Eating Room Red Close
10 One small textile

Paint names belong to their brands. Matches are measured from screen colors and are approximate; Light & Pigment is not affiliated with any paint brand.

How cool pale gray looks in your light

The wall color shifted for the light it will live in. Check the version closest to your room before buying a sample.

North-facing room#C4CBD3

In north light the pale gray wall at LRV 74 reads cool and slightly flat. It still bounces light well, so the room stays bright. The rose and violet will look a little cooler than their swatches.

South-facing room#E2E1DD

Strong south light lifts the pale gray wall and can make it look almost white. The dusty rose will look warmer and more saturated. Check the wall at midday before you commit.

Evening, warm lamps (2700K)#BDB1A0

Under warm evening bulbs the pale gray takes on a soft warm tone. The dusty rose and terracotta deepen and glow. The dusky violet can shift toward gray, so test it under your own lamps.

Try the palette in a room

Pick which painting color goes on the walls, the big furniture and the bold piece. Floors, shadows and light follow your choices.

Walls
Bed, sofa, island
Bold piece

Wood takes a warm mid-brown and the rug border takes Warm terracotta brown in every combination.

Mood board

Details from the painting next to the colors and materials that carry them into a room.

Cool pale gray
Dusty rose clay
Dusky violet slate
Linen
Oiled oak
Lime plaster
Aged brass
Palette card for The Child's Bath

Save this palette

A card with the painting, all 6 colors and a room scheme. Pin it, or take it to the paint store.

Save to Pinterest Download card

Guides that use colors from this painting

More palettes like this

FAQ

Can I use all six colors in one room?

You can, but keep the pale gray on the walls and let the other colors take smaller roles. Using the darkest shades in small amounts keeps the room balanced.

Will the dark plum work in a small room with little light?

The deep plum brown at LRV 5 absorbs most light, so use it sparingly in a dim room. A pale gray wall at LRV 74 will help the room feel open. Try the plum on one piece of trim or a single accent first.

Which color should I use for ceilings and trim?

The pale gray #DAE0E5 works well on ceilings and trim because it is light and neutral. It keeps the room bright and lets the rose and violet stand out on walls and furniture.

Image: The Art Institute of Chicago, Public domain (CC0). Palette, posterized image, details and room views generated by Light & Pigment from that image. Colors look different on screen than on a wall, so always test a sample.