19th-century French painting · art-to-room palette

Standing Bather, Seen from the Back Color Palette & Paint Colors

This palette is built from deep blue-greens, warm stone neutrals and sage greens, all measured from Paul Cezanne's Standing Bather, Seen from the Back. It suits a room that should feel calm and earthy, with one or two darker notes for depth.

Quick answer

Use the pale warm stone (#C8C4AE) on the main walls and the soft khaki putty (#B4AE94) on a connected wall or built-ins. Bring in the muted sage (#609179) on one accent piece, and use the fresh moss green (#79A674) in textiles like cushions or a throw.

Date
1879-82
Collection
The Art Institute of Chicago
Image license
Public domain (CC0)
Wall color LRV
55
Standing Bather, Seen from the Back by Paul Cezanne
Paul Cezanne, Standing Bather, Seen from the Back, 1879-82. The Art Institute of Chicago, open access. The bar shows each color's measured share of the canvas.

The 6 colors in this painting

Measured from the image and ordered by how much of the canvas they cover. LRV is how much light a color reflects, from 0 for black to 100 for white.

deep teal slate
#4F7577 · 28% · LRV 16
pale warm stone
#C8C4AE · 19.2% · LRV 55
muted sage green
#609179 · 17.7% · LRV 24
soft khaki putty
#B4AE94 · 16.5% · LRV 42
dark slate blue
#394F5B · 15.2% · LRV 7
fresh moss green
#79A674 · 3.4% · LRV 33

Where each color lives in the painting

Left, every pixel of the canvas snapped to its nearest palette color. Right, the detail where each color is strongest.

Standing Bather, Seen from the Back reduced to its palette colors
The same scene in 6 flat colors.
Detail of the painting where deep teal slate is strongest
deep teal slate
Detail of the painting where pale warm stone is strongest
pale warm stone
Detail of the painting where muted sage green is strongest
muted sage green
Detail of the painting where soft khaki putty is strongest
soft khaki putty
Detail of the painting where dark slate blue is strongest
dark slate blue
Detail of the painting where fresh moss green is strongest
fresh moss green

Closest paint colors

The nearest color from each brand. “Near-identical” and “Very close” are hard to tell apart on a wall; with “Similar”, compare a sample with the painting. Brands with nothing close are left out.

Painting color Closest paints LRV Use it for
deep teal slate
#4F7577
  • Behr 740F-5 Myth Very close
  • Valspar 5003-6C Shady Palm Close
  • Sherwin-Williams SW 6488 Grand Canal Close
  • Farrow & Ball No. 288 Vardo Close
16 Small accents, art, accessories
pale warm stone
#C8C4AE
  • Behr PPU9-19 Organic Field Near-identical
  • Valspar 6001-1B Greyed Very close
  • Sherwin-Williams SW 6163 Grassland Very close
  • Farrow & Ball No. 15 Bone Close
55 Main walls
muted sage green
#609179
  • Sherwin-Williams SW 60 Alexandrite Very close
  • Behr 480F-5 Marsh Creek Very close
  • Valspar 5005-6A Cool Bluegrass Close
  • Farrow & Ball No. 34 Calke Green Similar
24 One bold piece
soft khaki putty
#B4AE94
  • Sherwin-Williams SW 2860 Sage Near-identical
  • Farrow & Ball No. 18 French Gray Very close
  • Behr PPU9-09 Seedling Very close
  • Valspar 6008-2A Transitional Tan Close
42 Bed, sofa, curtains
dark slate blue
#394F5B
  • Behr PPU13-20 Restless Sea Very close
  • Farrow & Ball No. 30 Hague Blue Very close
  • Valspar 5011-3 Everglade Deck Very close
  • Sherwin-Williams SW 7620 Seaworthy Very close
7 Small accents, art, accessories
fresh moss green
#79A674
  • Valspar 5008-6B Spring Leaves Very close
  • Behr N390-5 Eucalyptus Wreath Very close
  • Sherwin-Williams SW 6732 Organic Green Close
  • Farrow & Ball No. 287 Yeabridge Green Similar
33 One small textile

Paint names belong to their brands. Matches are measured from screen colors and are approximate; Light & Pigment is not affiliated with any paint brand.

How pale warm stone looks in your light

The wall color shifted for the light it will live in. Check the version closest to your room before buying a sample.

North-facing room#B8B9B0

In north light, the pale warm stone wall (LRV 55) looks cooler and quieter, and its yellow undertone softens. It still bounces enough light to keep a small or dim room from feeling closed in.

South-facing room#D4CBB2

In strong south light, the pale warm stone wall reads brighter and warmer, and the yellow undertone shows more clearly. Watch for glare on large areas, and test a sample board at several times of day.

Evening, warm lamps (2700K)#B3A181

Under warm evening bulbs, the pale warm stone wall takes on a soft, golden glow. The khaki putty and sage tones will look richer and more muted, which suits a living room used mostly at night.

Try the palette in a room

Pick which painting color goes on the walls, the big furniture and the bold piece. Floors, shadows and light follow your choices.

Walls
Bed, sofa, island
Bold piece

Wood takes a warm mid-brown and the rug border takes fresh moss green in every combination.

Mood board

Details from the painting next to the colors and materials that carry them into a room.

pale warm stone
soft khaki putty
muted sage green
Linen
Oiled oak
Lime plaster
Aged brass
Palette card for Standing Bather, Seen from the Back

Save this palette

A card with the painting, all 6 colors and a room scheme. Pin it, or take it to the paint store.

Save to Pinterest Download card

Guides that use colors from this painting

More palettes like this

FAQ

Which color should cover most of the room?

The pale warm stone (#C8C4AE, LRV 55) works best as the main wall color. Its light reflectance keeps the room bright without looking stark.

Where should the deep blues go?

The deep teal slate (LRV 16) and dark slate blue (LRV 7) are the darkest colors in the set. Use them in small amounts, such as a door, a bookcase back or a single accent wall, so the room keeps its depth without feeling heavy.

Can I use these colors in a room with little natural light?

Yes, but keep the lightest color on the walls and use the darker tones in smaller areas. Check the wall color under your own bulbs before you commit, because warm light will push the yellow undertones forward.

Image: The Art Institute of Chicago, Public domain (CC0). Palette, posterized image, details and room views generated by Light & Pigment from that image. Colors look different on screen than on a wall, so always test a sample.