19th-century British painting · art-to-room palette

General Garibaldi's Residence at Caprera Color Palette & Paint Colors

This palette comes from a painting with a cool, pale blue-gray as its largest share, set against warm olives, ochres and tans. It suits a room that needs a calm, grounded base with warm wood and textiles.

Quick answer

Use the soft warm off-white on the walls and the pale slate blue on a large sofa, rug or cabinet as the main color. Put the deep olive brown on wood trim or furniture, and add the mid-tone ochre and light golden tan through pillows, curtains or a throw.

Date
1865
Collection
The Metropolitan Museum of Art
Image license
Public domain (CC0)
Wall color LRV
75
General Garibaldi's Residence at Caprera by Frederick Richard Lee
Frederick Richard Lee, General Garibaldi's Residence at Caprera, 1865. The Metropolitan Museum of Art, open access. The bar shows each color's measured share of the canvas.

The 6 colors in this painting

Measured from the image and ordered by how much of the canvas they cover. LRV is how much light a color reflects, from 0 for black to 100 for white.

Pale cool slate blue
#B4BFCE · 34.7% · LRV 51
Deep warm olive brown
#635A2F · 24.1% · LRV 10
Mid-tone warm ochre
#8E7B35 · 18.8% · LRV 20
Soft warm off-white
#E5E0D4 · 13.3% · LRV 75
Light golden tan
#CCA85A · 7.5% · LRV 42
Pale straw beige
#D6BC80 · 1.7% · LRV 52

Where each color lives in the painting

Left, every pixel of the canvas snapped to its nearest palette color. Right, the detail where each color is strongest.

General Garibaldi's Residence at Caprera reduced to its palette colors
The same scene in 6 flat colors.
Detail of the painting where Pale cool slate blue is strongest
Pale cool slate blue
Detail of the painting where Deep warm olive brown is strongest
Deep warm olive brown
Detail of the painting where Mid-tone warm ochre is strongest
Mid-tone warm ochre
Detail of the painting where Soft warm off-white is strongest
Soft warm off-white
Detail of the painting where Light golden tan is strongest
Light golden tan
Detail of the painting where Pale straw beige is strongest
Pale straw beige

Closest paint colors

The nearest color from each brand. “Near-identical” and “Very close” are hard to tell apart on a wall; with “Similar”, compare a sample with the painting. Brands with nothing close are left out.

Painting color Closest paints LRV Use it for
Pale cool slate blue
#B4BFCE
  • Behr N550-3 Best In Show Very close
  • Valspar 4004-3B Courtyard Shadow Very close
  • Sherwin-Williams SW 6541 Daydream Close
  • Farrow & Ball No. 27 Parma Gray Close
51 Bed, sofa, curtains
Deep warm olive brown
#635A2F
  • Behr 360F-7 Olive Shadow Very close
  • Sherwin-Williams SW 7735 Palm Leaf Very close
  • Valspar 6005-4C Summer's End Similar
  • Farrow & Ball No. 298 Bancha Similar
10 Wood and frames
Mid-tone warm ochre
#8E7B35
  • Behr S310-6 Gold Ink Very close
  • Sherwin-Williams SW 6411 Bengal Grass Close
  • Valspar 6006-6C Olivita Similar
20 One bold piece
Soft warm off-white
#E5E0D4
  • Behr PPU7-11 Cotton Knit Near-identical
  • Sherwin-Williams SW 7010 White Duck Near-identical
  • Valspar 6005-1A Asiago Near-identical
  • Farrow & Ball No. 291 School House White Very close
75 Main walls
Light golden tan
#CCA85A
  • Behr 330D-5 Campground Very close
  • Valspar 3008-5A Golden Avocado Very close
  • Sherwin-Williams SW 6402 Antiquity Close
  • Farrow & Ball No. 66 India Yellow Close
42 One small textile
Pale straw beige
#D6BC80
  • Sherwin-Williams SW 6401 Independent Gold Very close
  • Valspar 3007-5C Harpswell Green Very close
  • Behr 340F-4 Expedition Khaki Very close
  • Farrow & Ball No. 51 Sudbury Yellow Close
52 Small accents, art, accessories

Paint names belong to their brands. Matches are measured from screen colors and are approximate; Light & Pigment is not affiliated with any paint brand.

How soft warm off-white looks in your light

The wall color shifted for the light it will live in. Check the version closest to your room before buying a sample.

North-facing room#CBCBC8

North light is cool and even, so the off-white will look a little grayer than its warm undertone suggests. The pale slate blue will read cooler still, so pair it with the golden tan to keep the room from feeling flat.

South-facing room#EBE1CF

Strong south light brings out the warmth in the off-white and makes the golden tan glow. The pale blue stays soft and clean, and the deep olive brown holds its depth without looking muddy.

Evening, warm lamps (2700K)#C4B196

Under warm evening bulbs the yellow undertones deepen, and the ochre and olive become richer. The pale blue can look grayer or slightly green, so keep it in larger areas where its cool tone still reads clearly.

Try the palette in a room

Pick which painting color goes on the walls, the big furniture and the bold piece. Floors, shadows and light follow your choices.

Walls
Bed, sofa, island
Bold piece

Wood takes Deep warm olive brown and the rug border takes Light golden tan in every combination.

Mood board

Details from the painting next to the colors and materials that carry them into a room.

Soft warm off-white
Pale cool slate blue
Mid-tone warm ochre
Linen
Oiled oak
Lime plaster
Aged brass
Palette card for General Garibaldi's Residence at Caprera

Save this palette

A card with the painting, all 6 colors and a room scheme. Pin it, or take it to the paint store.

Save to Pinterest Download card

Guides that use colors from this painting

More palettes like this

FAQ

Which color should be the main wall color in a small room?

Use the soft warm off-white on the walls. It has a light reflectance value of 75, so it bounces light and helps a small room feel open. Save the pale slate blue for furniture or textiles.

Can I use the deep olive brown on an accent wall?

Yes, but it is very dark, with a light reflectance value of 10, so it will absorb a lot of light. Use it on one wall in a room with good daylight, or on a cabinet or door instead.

How much of each color should I use in a room?

In the painting, the pale slate blue covers about a third of the canvas and the deep olive brown about a quarter. Follow a similar balance at home, with the lighter colors covering most of the room and the darker ochre and olive used in smaller amounts.

Image: The Metropolitan Museum of Art, Public domain (CC0). Palette, posterized image, details and room views generated by Light & Pigment from that image. Colors look different on screen than on a wall, so always test a sample.