House exterior · White · colors from 4 paintings

White House Paint: Exterior Color Combinations

The best white house paint depends on the undertone you choose and on the roof and materials that stay. This page shows three exterior whites, each with trim, a front door and a roof color, so you can see a complete house.

Quick answer

Use a very light white on the walls, a near-black on the trim and garage door, and a deep color on the front door and shutters. Match the white's undertone to your roof and brick or stone.

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General Garibaldi's Residence at Caprera by Frederick Richard Lee Branch of the Seine near Giverny (Mist) by Claude Monet The Petite Creuse River by Claude Monet The Stolen Kiss by Jean Honoré Fragonard Every wall, trim and door color here was measured from one of these public-domain paintings.

3 complete exterior color schemes

Walls, trim, front door and roof together. Each scheme takes its colors from public-domain paintings, so the pairings are ones a painter already put side by side.

Warm White Colonial

  • Walls #E5E0D4
  • Trim #1B140E
  • Front door & shutters #635A2F
  • Roof: charcoal

Paint the walls of a two-story colonial in the warm cottage white, the trim and garage door in near-black brown, and the front door and shutters in deep olive. A charcoal roof keeps the whole house calm and traditional.

Colors from General Garibaldi's Residence at Caprera, Frederick Richard Lee.

Closest paints for this scheme

Walls

  • Behr PPU7-11 Cotton Knit Near-identical
  • Sherwin-Williams SW 7010 White Duck Near-identical
  • Valspar 6005-1A Asiago Near-identical
  • Farrow & Ball No. 291 School House White Very close

Trim

Front door & shutters

  • Behr 360F-7 Olive Shadow Very close
  • Sherwin-Williams SW 7735 Palm Leaf Very close
  • Valspar 6005-4C Summer's End Similar
  • Farrow & Ball No. 298 Bancha Similar
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Blush White Ranch

  • Walls #EDE1E6
  • Trim #1B140E
  • Front door & shutters #612C1C
  • Roof: black

On a ranch, the blush-tinted white spreads the color along a long, low wall, and the oxblood door gives the entry a clear focal point. Use near-black trim and a black roof to keep the lines sharp.

Colors from Branch of the Seine near Giverny (Mist), Claude Monet.

Closest paints for this scheme

Walls

  • Behr HDC-CT-08 Pink Posey Near-identical
  • Valspar 1002-8C Winter Sunrise Very close
  • Sherwin-Williams SW 6834 Spangle Close
  • Farrow & Ball No. 2006 Great White Close

Trim

Front door & shutters

  • Sherwin-Williams SW 7593 Rustic Red Close
  • Behr 240F-7 Root Beer Similar
  • Valspar 1010-5 Spanish Tile Similar
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Cool White Farmhouse

  • Walls #CFE0E9
  • Trim #1B140E
  • Front door & shutters #607387
  • Roof: charcoal

A farmhouse looks fresh in the cool sky white with near-black trim and slate blue shutters and door. A charcoal roof ties the blue-gray tones together.

Colors from The Petite Creuse River, Claude Monet.

Closest paints for this scheme

Walls

  • Valspar 4007-7A Air Kiss Near-identical
  • Sherwin-Williams SW 6806 Rhythmic Blue Very close
  • Behr HDC-CT-16B Waterfall Very close
  • Farrow & Ball No. 235 Borrowed Light Similar

Trim

Front door & shutters

  • Valspar 4005-4B Thundering Clouds Very close
  • Sherwin-Williams SW 6243 Distance Very close
  • Behr PPU14-01 Arrowhead Lake Very close
  • Farrow & Ball No. 220 Pitch Blue Similar
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How these colors look outside

Exterior paint is seen in much stronger light than a room. Full sun bleaches a color by a shade or two, while the shaded side of the house and overcast days pull it cooler and darker. Test a large sample on two sides of the house.

ColorSwatch Full sun Overcast In shade Golden hour
Warm Cottage White LRV 75
Blush Mist White LRV 78
Cool Sky White LRV 73

Try these colors on a house

Pick a color for the walls, the trim, the front door and the roof, and switch between house styles. Shadows and siding lines follow your choice.

Walls
Trim & garage door
Front door & shutters
Roof

Roof colors are typical shingle, tile and metal colors, not paint. Every other color comes from a painting on this page.

Colors for the walls

#E5E0D4LRV 75

Warm Cottage White

A very light white with a warm yellow undertone and an LRV of 75, good for siding or stucco that gets shade for part of the day. It comes from Frederick Richard Lee's painting of General Garibaldi's residence at Caprera, and Sherwin-Williams SW 7010 White Duck is a near-identical match.

From General Garibaldi's Residence at Caprera, Frederick Richard Lee
Closest paints
  • Behr PPU7-11 Cotton Knit Near-identical
  • Sherwin-Williams SW 7010 White Duck Near-identical
  • Valspar 6005-1A Asiago Near-identical
  • Farrow & Ball No. 291 School House White Very close
#EDE1E6LRV 78

Blush Mist White

At LRV 78 this is the lightest wall color here, with a faint pink-red undertone that softens brick and warm gray roofs. It is taken from Monet's Branch of the Seine near Giverny (Mist), and Behr Pink Posey is a near-identical match.

From Branch of the Seine near Giverny (Mist), Claude Monet
Closest paints
  • Behr HDC-CT-08 Pink Posey Near-identical
  • Valspar 1002-8C Winter Sunrise Very close
  • Sherwin-Williams SW 6834 Spangle Close
  • Farrow & Ball No. 2006 Great White Close
#CFE0E9LRV 73

Cool Sky White

A very light white with a cool blue undertone and an LRV of 73, suited to gray stone and charcoal roofs. It comes from Monet's The Petite Creuse River, and Sherwin-Williams SW 6806 Rhythmic Blue is a near-identical match.

From The Petite Creuse River, Claude Monet
Closest paints
  • Valspar 4007-7A Air Kiss Near-identical
  • Sherwin-Williams SW 6806 Rhythmic Blue Very close
  • Behr HDC-CT-16B Waterfall Very close
  • Farrow & Ball No. 235 Borrowed Light Similar

Trim colors

#1B140ELRV 1

Near-Black Brown

With an LRV of 1, this is the strongest trim color for white walls, and it works on fascia, window trim and the garage door. It is taken from Fragonard's The Stolen Kiss, and no close commercial paint match was found, so ask a paint store to match the hex.

From The Stolen Kiss, Jean Honoré Fragonard
Closest paints

Front door and shutter colors

#635A2FLRV 10

Deep Olive Green

A deep, warm olive with an LRV of 10, good for a front door and shutters on a warm white house. It comes from Lee's painting of Garibaldi's residence at Caprera, and Sherwin-Williams SW 7735 Palm Leaf is a very close match.

From General Garibaldi's Residence at Caprera, Frederick Richard Lee
Closest paints
  • Behr 360F-7 Olive Shadow Very close
  • Sherwin-Williams SW 7735 Palm Leaf Very close
  • Valspar 6005-4C Summer's End Similar
  • Farrow & Ball No. 298 Bancha Similar
#612C1CLRV 4

Dark Oxblood Red

A very dark red-orange with an LRV of 4 that gives a white house a strong, warm entry. It comes from Fragonard's The Stolen Kiss, and Sherwin-Williams SW 7593 Rustic Red is a close match.

From The Stolen Kiss, Jean Honoré Fragonard
Closest paints
  • Sherwin-Williams SW 7593 Rustic Red Close
  • Behr 240F-7 Root Beer Similar
  • Valspar 1010-5 Spanish Tile Similar
#607387LRV 17

Slate Blue Door

A deep, cool blue with an LRV of 17, the lightest of the door colors, and a good partner for cool whites and gray roofs. It comes from Monet's The Petite Creuse River, and Sherwin-Williams SW 6243 Distance is a very close match.

From The Petite Creuse River, Claude Monet
Closest paints
  • Valspar 4005-4B Thundering Clouds Very close
  • Sherwin-Williams SW 6243 Distance Very close
  • Behr PPU14-01 Arrowhead Lake Very close
  • Farrow & Ball No. 220 Pitch Blue Similar

How do you choose a white for the house walls?

Start with what will not change. A roof, brick, stone, a chimney or a driveway all have an undertone, and the wall white has to sit well beside it. Hold a big sample next to each fixed material before you decide.

Warm whites with a yellow undertone, like the first shade on this page (LRV 75), suit charcoal or brown roofs and tan or cream stone. Whites with a faint pink-red undertone, like the second (LRV 78), soften red brick and warm gray roofs. Cool blue-leaning whites, like the third (LRV 73), sit well with gray stone, slate and charcoal or black roofs.

All three are very light, so they reflect a lot of light and read as white from the street. If your siding or stucco faces strong sun, a white between 73 and 78 is plenty bright. Pick the undertone first and the exact name second.

How much contrast should trim and the front door have?

Trim is where a white house gets its shape. The trim color on this page is nearly black, with an LRV of 1. Against walls at LRV 73 to 78, that is the strongest contrast you can get. It makes windows, fascia, corner boards and the garage door read crisply from the street.

The front door and shutters can be a step softer. The olive is LRV 10, the red-brown is LRV 4 and the slate blue is LRV 17. All are dark enough to stand out against a white wall.

Pick one door color and use it on the shutters too. Then keep the rest simple: one wall white, one trim color, one door color, one roof. The near-black trim has no close commercial match, so take the hex value to a paint store and ask for a color match.

Why does white look different in sun and shade?

Light changes white more than any other color. In full sun, an exterior white looks lighter and brighter than the chip, and a large wall of it can feel close to glare. In shade, or on the north side of the house, the same white looks cooler and a little grayer.

Because of this, choose a shade darker than the one you think you want. A white that looks slightly creamy or tinted on a small chip often looks clean and right once it covers a whole wall outdoors.

Undertone matters too. A yellow undertone keeps shaded walls from turning flat and gray. A blue undertone can look crisp in warm afternoon light but cool under a gray sky. A pink-red undertone can show more in low morning and evening light.

Dark trim and doors do the opposite. They stay dark in any light, so the contrast with the wall looks strongest in bright sun.

How do you test white exterior paint?

Test large, and test outside. Paint a sample board at least two feet square, or paint a patch directly on the wall, with two coats. Small chips mislead on exterior walls.

Put samples on two sides of the house, ideally one that gets full sun and one that stays in shade. Look at them in the morning, at midday, in late afternoon and on an overcast day. Check them again after dark if you use porch lights.

Set each sample next to the things that will stay: the roof, brick, stone, the driveway and the front walk. Hold the trim and door colors beside them too. Then walk to the street and look at the whole house from there, not from a foot away.

Give it at least two days before you decide. White is the color most likely to surprise you, so let it show you how it behaves.

FAQ

What is the best exterior white paint?

The best white is the one whose undertone fits your roof, brick or stone and looks right on a large sample in your own light. This page offers a warm yellow white (LRV 75), a pink-tinted white (LRV 78) and a cool blue white (LRV 73).

What trim color goes with a white house?

A near-black trim gives the strongest contrast, with an LRV of 1 against walls at LRV 73 to 78. Use it on window trim, fascia and the garage door.

What front door color works with white house color combinations?

Deep olive (LRV 10) suits a warm white, dark oxblood red (LRV 4) suits a blush-tinted white, and slate blue (LRV 17) suits a cool white. Paint the shutters the same color as the door.

What roof color goes with a white exterior?

Charcoal works with all three whites here, and black pairs well with the blush-tinted white on a ranch. If you keep an existing roof, check the white against it first.

Should I pick a darker white for outdoor paint?

Yes, go a shade darker than you expect. Full sun makes exterior white look lighter, and a large wall reads lighter than a small chip.

Palette card: White House Paint: Exterior Color Combinations

Save these colors

A card with these house color schemes: walls, trim, front door and roof. Pin it, or take it to the paint store.

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Related guides

The paintings behind these colors

Painting images: The Metropolitan Museum of Art, The Art Institute of Chicago, public domain (CC0). Colors measured by Light & Pigment. Paint names belong to their brands and matches are approximate. Colors look different on screen than on a wall, so always test a sample.