#CDCBA7In north light the pale butter wall (LRV 73) stays bright but can look a little cooler and greyer. Pair it with warmer lamps to keep the yellow from going flat.
Paint colors for your home, inside and out
19th-century French painting · art-to-room palette
This palette comes from Théodore Rousseau's oil on panel Landscape, c. 1850, held at The Art Institute of Chicago. Its warm yellows, olive browns and near-black suit rooms that want a quiet, earthy, lived-in feel.
Quick answer
Use the pale butter tone on the walls and the muted straw yellow on larger pieces such as a sofa or cabinetry. Add the dark olive for wood and the deep ochre for an accent wall or trim, and keep the golden ochre for textiles like cushions or curtains.
Measured from the image and ordered by how much of the canvas they cover. LRV is how much light a color reflects, from 0 for black to 100 for white.
Left, every pixel of the canvas snapped to its nearest palette color. Right, the detail where each color is strongest.
The nearest color from each brand. “Near-identical” and “Very close” are hard to tell apart on a wall; with “Similar”, compare a sample with the painting. Brands with nothing close are left out.
| Painting color | Closest paints | LRV | Use it for |
|---|---|---|---|
Warm near-black#221810 |
|
1 | Small accents, art, accessories |
Muted straw yellow#C4B879 |
|
47 | Bed, sofa, curtains |
Dark olive wood#564B1A |
|
7 | Wood and frames |
Deep ochre olive#84752E |
|
18 | One bold piece |
Pale butter cream#E8E0A1 |
|
73 | Main walls |
Mid golden ochre#AF9A46 |
|
33 | One small textile |
Paint names belong to their brands. Matches are measured from screen colors and are approximate; Light & Pigment is not affiliated with any paint brand.
The wall color shifted for the light it will live in. Check the version closest to your room before buying a sample.
#CDCBA7In north light the pale butter wall (LRV 73) stays bright but can look a little cooler and greyer. Pair it with warmer lamps to keep the yellow from going flat.
#EDE1A8Strong south light lifts the pale butter wall and can make it look close to white. Deeper colors like the olive and ochre will hold their depth and look richer in the same room.
#C5B17AUnder warm evening bulbs the yellow undertones come forward and the room feels glowing and warm. The darker olive and near-black tones gain depth, which suits a room used mostly at night.
Pick which painting color goes on the walls, the big furniture and the bold piece. Floors, shadows and light follow your choices.
Wood takes Dark olive wood and the rug border takes Mid golden ochre in every combination.
Details from the painting next to the colors and materials that carry them into a room.
A card with the painting, all 6 colors and a room scheme. Pin it, or take it to the paint store.
It is very dark, with an LRV of 1, so it can make a room feel closed in. Use it in small amounts, such as a shadowed corner, a frame or a narrow band of trim.
Start with the pale butter wall color, since it sets the light for the room. Then choose the muted straw yellow for a main piece, and build the rest of the scheme around those two.
Balance the warm yellows with the dark olive wood tone and a little of the near-black. Adding a cooler neutral in small pieces, such as a metal lamp base, can also break up the warmth.
Image: The Art Institute of Chicago, Public domain (CC0). Palette, posterized image, details and room views generated by Light & Pigment from that image. Colors look different on screen than on a wall, so always test a sample.
19th-century French painting · art-to-room palette
This palette is a set of olive greens, cream, and warm browns, taken from a landscape with deep shadow and pale, soft light. It suits rooms where you want a calm, earthy base with a few dark notes for depth.
Quick answer
Use #E2E4C4 on the walls and #DFE3D1 on upholstery or curtains. Bring in #5B4A1A for floors or wood trim, #9B803D for one or two secondary pieces, #383210 for an accent such as a door, and #151107 only for small details like a frame or lamp base.
Measured from the image and ordered by how much of the canvas they cover. LRV is how much light a color reflects, from 0 for black to 100 for white.
Left, every pixel of the canvas snapped to its nearest palette color. Right, the detail where each color is strongest.
The nearest color from each brand. “Near-identical” and “Very close” are hard to tell apart on a wall; with “Similar”, compare a sample with the painting. Brands with nothing close are left out.
| Painting color | Closest paints | LRV | Use it for |
|---|---|---|---|
Near-Black Warm Umber#151107 |
|
1 | Small accents, art, accessories |
Dark Olive Brown#383210 |
|
3 | One bold piece |
Pale Sage Linen#DFE3D1 |
|
75 | One small textile |
Soft Celadon Cream#E2E4C4 |
|
76 | Main walls |
Deep Walnut Ochre#5B4A1A |
|
7 | Wood and frames |
Muted Gold Ochre#9B803D |
|
23 | Bed, sofa, curtains |
Paint names belong to their brands. Matches are measured from screen colors and are approximate; Light & Pigment is not affiliated with any paint brand.
The wall color shifted for the light it will live in. Check the version closest to your room before buying a sample.
#C9CEBEIn north light, #E2E4C4 looks cooler and its green undertone shows more. At LRV 76, it still reads light and keeps the room bright.
#E8E4C3Strong south sun brings out the warm yellow in #E2E4C4, so the wall can look creamier by afternoon. It stays light, and it pairs well with the darker browns in the room.
#C1B48DUnder warm evening bulbs, #E2E4C4 moves toward cream and the yellow comes forward. The darker tones, #383210 and #5B4A1A, look richer and more saturated under lamps.
Pick which painting color goes on the walls, the big furniture and the bold piece. Floors, shadows and light follow your choices.
Wood takes Deep Walnut Ochre and the rug border takes Pale Sage Linen in every combination.
Details from the painting next to the colors and materials that carry them into a room.
A card with the painting, all 6 colors and a room scheme. Pin it, or take it to the paint store.
Yes. Keep #E2E4C4 on the walls, since its LRV of 76 bounces light. Limit the darkest tones, #151107 and #383210, to one or two small areas so the room does not feel closed in.
Use #E2E4C4 or a lighter tint of it on the ceiling. Going darker overhead can make the room feel lower.
The #5B4A1A shade is the closest match to the wood in this palette. It works for floors, frames, and trim, and it sits well beside the pale walls and sage textiles.
Image: The Art Institute of Chicago, Public domain (CC0). Palette, posterized image, details and room views generated by Light & Pigment from that image. Colors look different on screen than on a wall, so always test a sample.
19th-century French painting · art-to-room palette
Six colors measured from Landscape by Théodore Rousseau, with their share of the canvas, light reflectance, a room scheme and how the wall color shifts in north, south and evening light.
Quick answer
Put Soft White on most walls, use Deep Grey for the bed, sofa or curtains, and keep Soft Black to one bold piece. A warm mid-brown suits floors, wood and frames, and Shadow Grey works best in a single textile.
Measured from the image and ordered by how much of the canvas they cover. LRV is how much light a color reflects, from 0 for black to 100 for white.
Left, every pixel of the canvas snapped to its nearest palette color. Right, the detail where each color is strongest.
The nearest color from each brand. “Near-identical” and “Very close” are hard to tell apart on a wall; with “Similar”, compare a sample with the painting. Brands with nothing close are left out.
| Painting color | Closest paints | LRV | Use it for |
|---|---|---|---|
Shadow Grey#3F3F3F |
|
5 | One small textile |
Soft Black#1C1C1C |
|
1 | One bold piece |
Muted Grey#787878 |
|
19 | Small accents, art, accessories |
Deep Grey#A4A4A4 |
|
37 | Bed, sofa, curtains |
Light Grey#C8C8C8 |
|
58 | Small accents, art, accessories |
Soft White#EBEBEB |
|
83 | Main walls |
Paint names belong to their brands. Matches are measured from screen colors and are approximate; Light & Pigment is not affiliated with any paint brand.
The wall color shifted for the light it will live in. Check the version closest to your room before buying a sample.
#CFD3D7Cool, even daylight pulls colors toward grey. Warm wall tones keep a north-facing room from feeling cold.
#EFEAE1Strong warm sun pushes light colors toward cream by midday. If it reads too yellow, step down to a cooler version.
#C7B8A4Under warm 2700K bulbs colors turn honey-toned and dark colors read almost black. Matte finishes keep the look soft.
Pick which painting color goes on the walls, the big furniture and the bold piece. Floors, shadows and light follow your choices.
Wood takes a warm mid-brown and the rug border takes Shadow Grey in every combination.
Details from the painting next to the colors and materials that carry them into a room.
A card with the painting, all 6 colors and a room scheme. Pin it, or take it to the paint store.
Measured from the image, the painting's six main colors are Shadow Grey (#3F3F3F, 38.3% of the canvas), Soft Black (#1C1C1C, 23.4% of the canvas), Muted Grey (#787878, 22% of the canvas), Deep Grey (#A4A4A4, 9.1% of the canvas), Light Grey (#C8C8C8, 5.5% of the canvas), Soft White (#EBEBEB, 1.7% of the canvas).
Yes. The wall color reflects about 83% of the light that hits it (LRV 83), so it keeps a small room bright. Keep the darkest colors to one piece of furniture or a textile.
The Art Institute of Chicago releases this image as public domain (cc0), so it can be reused freely.
Image: The Art Institute of Chicago, Public domain (CC0). Palette, posterized image, details and room views generated by Light & Pigment from that image. Colors look different on screen than on a wall, so always test a sample.