19th-century French painting · art-to-room palette

View of Saleve, near Geneva Color Palette & Paint Colors

This palette is drawn from Théodore Rousseau's 1834 oil study View of Saleve, near Geneva, and it is built from warm stone, cream, and deep earth browns. It suits living rooms, dining rooms, and hallways where you want a calm, grounded scheme with a natural feel.

Quick answer

Use the pale cream #EEE1C2 on the main walls, with the warm stone #C0B7A5 as a main color on large surfaces such as a sofa wall or cabinetry. Bring in the golden oak #8E6938 for wood, the deep rust #624428 for one accent, and the camel tan #B59B70 for textiles like curtains or throws.

Date
1834
Collection
The Art Institute of Chicago
Image license
Public domain (CC0)
Wall color LRV
76
View of Saleve, near Geneva by Théodore Rousseau
Théodore Rousseau, View of Saleve, near Geneva, 1834. The Art Institute of Chicago, open access. The bar shows each color's measured share of the canvas.

The 6 colors in this painting

Measured from the image and ordered by how much of the canvas they cover. LRV is how much light a color reflects, from 0 for black to 100 for white.

Deep rust brown
#624428 · 28.8% · LRV 7
Warm stone grey
#C0B7A5 · 27.6% · LRV 48
Espresso dark brown
#422C16 · 19% · LRV 3
Pale cream linen
#EEE1C2 · 16.4% · LRV 76
Golden oak brown
#8E6938 · 6.8% · LRV 16
Soft camel tan
#B59B70 · 1.4% · LRV 34

Where each color lives in the painting

Left, every pixel of the canvas snapped to its nearest palette color. Right, the detail where each color is strongest.

View of Saleve, near Geneva reduced to its palette colors
The same scene in 6 flat colors.
Detail of the painting where Deep rust brown is strongest
Deep rust brown
Detail of the painting where Warm stone grey is strongest
Warm stone grey
Detail of the painting where Espresso dark brown is strongest
Espresso dark brown
Detail of the painting where Pale cream linen is strongest
Pale cream linen
Detail of the painting where Golden oak brown is strongest
Golden oak brown
Detail of the painting where Soft camel tan is strongest
Soft camel tan

Closest paint colors

The nearest color from each brand. “Near-identical” and “Very close” are hard to tell apart on a wall; with “Similar”, compare a sample with the painting. Brands with nothing close are left out.

Painting color Closest paints LRV Use it for
Deep rust brown
#624428
  • Sherwin-Williams SW 6097 Sturdy Brown Very close
  • Behr 290F-7 Wooden Cabin Close
  • Valspar 3011-8 Dark Earth Similar
7 One bold piece
Warm stone grey
#C0B7A5
  • Sherwin-Williams SW 7638 Jogging Path Very close
  • Valspar 6008-1C Soft Stones Very close
  • Behr HDC-FL13-10 Wilderness Gray Very close
  • Farrow & Ball No. 283 Drop Cloth Very close
48 Bed, sofa, curtains
Espresso dark brown
#422C16
  • Sherwin-Williams SW 6069 French Roast Similar
  • Behr 280F-7 Breakfast Blend Similar
3 Small accents, art, accessories
Pale cream linen
#EEE1C2
  • Behr 330E-2 Cornerstone Near-identical
  • Farrow & Ball No. 2012 House White Very close
  • Sherwin-Williams SW 6392 Vital Yellow Very close
  • Valspar 3002-4C Cream Cake Very close
76 Main walls
Golden oak brown
#8E6938
  • Sherwin-Williams SW 6132 Relic Bronze Near-identical
  • Behr S280-7 Roasted Squash Very close
  • Valspar 3011-5 Autumn Surprise Similar
16 Wood and frames
Soft camel tan
#B59B70
  • Valspar 3006-7C Timeless Gold Near-identical
  • Behr N280-5 Antique Treasure Very close
  • Sherwin-Williams SW 9025 Coriander Powder Very close
  • Farrow & Ball No. 66 India Yellow Similar
34 One small textile

Paint names belong to their brands. Matches are measured from screen colors and are approximate; Light & Pigment is not affiliated with any paint brand.

How pale cream linen looks in your light

The wall color shifted for the light it will live in. Check the version closest to your room before buying a sample.

North-facing room#D1CCBD

In north light, the pale cream wall (LRV 76) stays light but can look a little cooler and more muted. The warm yellow undertone will read softer, so pair it with warmer lamps.

South-facing room#F2E2C1

In strong south light, the pale cream wall (LRV 76) will bounce a lot of light and look bright and warm. The stone grey and camel tones will look more open, and the deep rust accent will show its warmth clearly.

Evening, warm lamps (2700K)#C9B28C

Under warm evening bulbs, the yellow undertones in the cream and stone will come forward and the room will feel cozy. The deep rust and espresso will look richer, so keep dark shades to smaller areas.

Try the palette in a room

Pick which painting color goes on the walls, the big furniture and the bold piece. Floors, shadows and light follow your choices.

Walls
Bed, sofa, island
Bold piece

Wood takes Golden oak brown and the rug border takes Soft camel tan in every combination.

Mood board

Details from the painting next to the colors and materials that carry them into a room.

Pale cream linen
Warm stone grey
Deep rust brown
Linen
Oiled oak
Lime plaster
Aged brass
Palette card for View of Saleve, near Geneva

Save this palette

A card with the painting, all 6 colors and a room scheme. Pin it, or take it to the paint store.

Save to Pinterest Download card

Guides that use colors from this painting

More palettes like this

FAQ

Which color should cover the most wall space?

Use the pale cream #EEE1C2 (LRV 76) on the largest walls. It is the lightest color in the palette and will keep the room feeling open. The warm stone #C0B7A5 can be used on one main surface for contrast.

Can I use the darkest color in a small room?

The espresso #422C16 has an LRV of 3, so it reads very dark. In a small room, use it on a small area such as a door, trim, or a single piece of furniture rather than a full wall. Pair it with the cream wall to keep the space from feeling closed in.

What does LRV mean for choosing these colors?

LRV, or light reflectance value, measures how much light a color reflects, from 0 for black to 100 for white. The cream at LRV 76 will bounce light well, while the deep rust at LRV 7 will absorb it, so the rust works best as an accent rather than a main color.

Image: The Art Institute of Chicago, Public domain (CC0). Palette, posterized image, details and room views generated by Light & Pigment from that image. Colors look different on screen than on a wall, so always test a sample.