#B9BDB0Cool, even daylight pulls colors toward grey. Warm wall tones keep a north-facing room from feeling cold.
Paint colors for your home, inside and out
19th-century French painting · art-to-room palette
Six colors measured from Water Lily Pond by Claude Monet, with their share of the canvas, light reflectance, a room scheme and how the wall color shifts in north, south and evening light.
Quick answer
Put Light Green on most walls, use Warm Yellow for the bed, sofa or curtains, and keep Soft Green to one bold piece. Shadow Umber suits floors, wood and frames, and Warm Umber works best in a single textile.
Measured from the image and ordered by how much of the canvas they cover. LRV is how much light a color reflects, from 0 for black to 100 for white.
Left, every pixel of the canvas snapped to its nearest palette color. Right, the detail where each color is strongest.
The nearest color from each brand. “Near-identical” and “Very close” are hard to tell apart on a wall; with “Similar”, compare a sample with the painting. Brands with nothing close are left out.
| Painting color | Closest paints | LRV | Use it for |
|---|---|---|---|
Shadow Umber#5A4B44 |
|
8 | Wood and frames |
Deep Green#5F6A58 |
|
13 | Small accents, art, accessories |
Light Green#C9C9AE |
|
57 | Main walls |
Soft Green#6D7B56 |
|
18 | One bold piece |
Warm Umber#966960 |
|
17 | One small textile |
Warm Yellow#A8A656 |
|
36 | Bed, sofa, curtains |
Paint names belong to their brands. Matches are measured from screen colors and are approximate; Light & Pigment is not affiliated with any paint brand.
The wall color shifted for the light it will live in. Check the version closest to your room before buying a sample.
#B9BDB0Cool, even daylight pulls colors toward grey. Warm wall tones keep a north-facing room from feeling cold.
#D5CFB2Strong warm sun pushes light colors toward cream by midday. If it reads too yellow, step down to a cooler version.
#B3A581Under warm 2700K bulbs colors turn honey-toned and dark colors read almost black. Matte finishes keep the look soft.
Pick which painting color goes on the walls, the big furniture and the bold piece. Floors, shadows and light follow your choices.
Wood takes Shadow Umber and the rug border takes Warm Umber in every combination.
Details from the painting next to the colors and materials that carry them into a room.
A card with the painting, all 6 colors and a room scheme. Pin it, or take it to the paint store.
Measured from the image, the painting's six main colors are Shadow Umber (#5A4B44, 35% of the canvas), Deep Green (#5F6A58, 31.7% of the canvas), Light Green (#C9C9AE, 12.9% of the canvas), Soft Green (#6D7B56, 11.5% of the canvas), Warm Umber (#966960, 6.1% of the canvas), Warm Yellow (#A8A656, 2.7% of the canvas).
Use it with care. The lightest wall color in this painting has an LRV of about 57, so in a small room pair it with plenty of daylight or a lighter white on the ceiling.
The Art Institute of Chicago releases this image as public domain (cc0), so it can be reused freely.
Image: The Art Institute of Chicago, Public domain (CC0). Palette, posterized image, details and room views generated by Light & Pigment from that image. Colors look different on screen than on a wall, so always test a sample.
20th-century French painting · art-to-room palette
This palette comes from Claude Monet's Water Lily Pond, painted between 1917 and 1919 and held by The Art Institute of Chicago. It is built on soft greens, straw yellows, and warm browns, with one small note of clay red, so it suits rooms that need a calm, earthy base.
Quick answer
Use the pale green #B8D0BD on the walls and the soft straw #BFBA82 on a main surface or large piece. Put the dusky olive on an accent such as a door or cabinet, the warm umber on wood tones, and the muted clay on cushions or throws.
Measured from the image and ordered by how much of the canvas they cover. LRV is how much light a color reflects, from 0 for black to 100 for white.
Left, every pixel of the canvas snapped to its nearest palette color. Right, the detail where each color is strongest.
The nearest color from each brand. “Near-identical” and “Very close” are hard to tell apart on a wall; with “Similar”, compare a sample with the painting. Brands with nothing close are left out.
| Painting color | Closest paints | LRV | Use it for |
|---|---|---|---|
Muted olive sage#969674 |
|
30 | Small accents, art, accessories |
Dusky olive green#807B4E |
|
19 | One bold piece |
Warm umber brown#8A7148 |
|
18 | Wood and frames |
Soft yellow khaki#BFBA82 |
|
48 | Bed, sofa, curtains |
Pale celadon green#B8D0BD |
|
59 | Main walls |
Muted terracotta clay#CB977B |
|
36 | One small textile |
Paint names belong to their brands. Matches are measured from screen colors and are approximate; Light & Pigment is not affiliated with any paint brand.
The wall color shifted for the light it will live in. Check the version closest to your room before buying a sample.
#AEC1B9In north light the pale green wall will look cooler and a little grayer than the swatch. Pair it with warm wood and the straw tone to keep the room from feeling flat.
#C8D5BDStrong south light brings out the wall's brightness, since its reflectance is high enough to bounce a lot of light. The green may look paler and softer, so check a large sample at midday before committing.
#AAA88AUnder warm evening bulbs the yellow in the straw and umber tones moves forward, and the green wall can look more muted. The clay and umber accents will feel richer and more golden after dark.
Pick which painting color goes on the walls, the big furniture and the bold piece. Floors, shadows and light follow your choices.
Wood takes Warm umber brown and the rug border takes Muted terracotta clay in every combination.
Details from the painting next to the colors and materials that carry them into a room.
A card with the painting, all 6 colors and a room scheme. Pin it, or take it to the paint store.
Use the pale green #B8D0BD on the walls, since it is the lightest and most reflective color in the palette. The soft straw #BFBA82 works well as a secondary surface or a large piece of furniture.
Yes. The dusky olive #807B4E has a LRV of 19, so it reads as a deep accent. Use it on a door, cabinet, or trim to give contrast without adding a new hue.
It can, but the warm yellow and umber tones will feel out of place next to cool gray. Choose warm neutrals like cream or light wood to keep the scheme consistent.
Image: The Art Institute of Chicago, Public domain (CC0). Palette, posterized image, details and room views generated by Light & Pigment from that image. Colors look different on screen than on a wall, so always test a sample.