19th-century French painting · art-to-room palette

The Garden of the Tuileries on a Winter Afternoon Color Palette & Paint Colors

This palette is drawn from Camille Pissarro's 1899 oil painting The Garden of the Tuileries on a Winter Afternoon, held by The Metropolitan Museum of Art. It runs from a pale warm off-white to deep olive and moss greens, with warm browns and sand tones between them.

Quick answer

Use the lightest warm off-white on the walls, and the muted brown for floors, trim, or wood furniture. Bring in the pale sand and light honey tan as main supporting colors, and keep the deep olive for textiles and the mid moss green for small accents.

Date
1899
Collection
The Metropolitan Museum of Art
Image license
Public domain (CC0)
Wall color LRV
73
The Garden of the Tuileries on a Winter Afternoon by Camille Pissarro
Camille Pissarro, The Garden of the Tuileries on a Winter Afternoon, 1899. The Metropolitan Museum of Art, open access. The bar shows each color's measured share of the canvas.

The 6 colors in this painting

Measured from the image and ordered by how much of the canvas they cover. LRV is how much light a color reflects, from 0 for black to 100 for white.

Soft warm off-white
#E8DDC8 · 38% · LRV 73
Muted warm brown
#967F5B · 29% · LRV 22
Pale sand beige
#CFB79D · 15.1% · LRV 50
Light honey tan
#D1B38A · 6.5% · LRV 48
Deep olive green
#696932 · 6.5% · LRV 13
Mid moss green
#6A8938 · 5% · LRV 21

Where each color lives in the painting

Left, every pixel of the canvas snapped to its nearest palette color. Right, the detail where each color is strongest.

The Garden of the Tuileries on a Winter Afternoon reduced to its palette colors
The same scene in 6 flat colors.
Detail of the painting where Soft warm off-white is strongest
Soft warm off-white
Detail of the painting where Muted warm brown is strongest
Muted warm brown
Detail of the painting where Pale sand beige is strongest
Pale sand beige
Detail of the painting where Light honey tan is strongest
Light honey tan
Detail of the painting where Deep olive green is strongest
Deep olive green
Detail of the painting where Mid moss green is strongest
Mid moss green

Closest paint colors

The nearest color from each brand. “Near-identical” and “Very close” are hard to tell apart on a wall; with “Similar”, compare a sample with the painting. Brands with nothing close are left out.

Painting color Closest paints LRV Use it for
Soft warm off-white
#E8DDC8
  • Farrow & Ball No. 1 Lime White Near-identical
  • Sherwin-Williams SW 6119 Antique White Near-identical
  • Valspar 7003-9 Malted Milk Near-identical
  • Behr PPU8-14 Silky Bamboo Very close
73 Main walls
Muted warm brown
#967F5B
  • Behr 280F-5 New Chestnut Very close
  • Sherwin-Williams SW 6138 Artifact Very close
  • Valspar 3006-7A Olive Branch Gold Very close
  • Farrow & Ball No. 40 Mouse's Back Similar
22 Wood and frames
Pale sand beige
#CFB79D
  • Sherwin-Williams SW 7536 Bittersweet Stem Near-identical
  • Valspar 2008-8B Maple Leaf Very close
  • Behr PPU4-07 Mushroom Bisque Very close
  • Farrow & Ball No. 264 Oxford Stone Close
50 Bed, sofa, curtains
Light honey tan
#D1B38A
  • Behr S290-4 Summerwood Near-identical
  • Valspar 3003-8A Young At Heart Near-identical
  • Sherwin-Williams SW 7697 Safari Very close
  • Farrow & Ball No. 16 Cord Similar
48 Small accents, art, accessories
Deep olive green
#696932
  • Sherwin-Williams SW 6425 Relentless Olive Close
  • Behr 390F-7 Wilderness Close
  • Farrow & Ball No. 298 Bancha Similar
  • Valspar 6005-4C Summer's End Similar
13 One small textile
Mid moss green
#6A8938
  • Behr 410F-6 Grape Vine Very close
  • Valspar 6009-9 Lovely Green Very close
  • Sherwin-Williams SW 6719 Gecko Close
21 One bold piece

Paint names belong to their brands. Matches are measured from screen colors and are approximate; Light & Pigment is not affiliated with any paint brand.

How soft warm off-white looks in your light

The wall color shifted for the light it will live in. Check the version closest to your room before buying a sample.

North-facing room#CDC9C0

North light is cooler and softer. The warm off-white has a high light reflectance value of 73, so it will still bounce light and keep the room from feeling grey.

South-facing room#EDDFC6

Strong south light brings out the warm yellow undertone. The off-white will look bright and slightly golden, which suits a sunny room but may feel strong in a small space.

Evening, warm lamps (2700K)#C5B090

Warm evening bulbs push the yellow undertones forward. The off-white and sand tones will look cozy and golden, while the olive and moss greens will read deeper and more earthy.

Try the palette in a room

Pick which painting color goes on the walls, the big furniture and the bold piece. Floors, shadows and light follow your choices.

Walls
Bed, sofa, island
Bold piece

Wood takes Muted warm brown and the rug border takes Deep olive green in every combination.

Mood board

Details from the painting next to the colors and materials that carry them into a room.

Soft warm off-white
Pale sand beige
Mid moss green
Linen
Oiled oak
Lime plaster
Aged brass
Palette card for The Garden of the Tuileries on a Winter Afternoon

Save this palette

A card with the painting, all 6 colors and a room scheme. Pin it, or take it to the paint store.

Save to Pinterest Download card

Guides that use colors from this painting

More palettes like this

FAQ

Which color should I use on the walls?

Use the very light warm off-white, which is the largest share of the painting. Its light reflectance value of 73 keeps the room bright without looking stark.

Can I use the deep olive green across a whole room?

It is best kept to textiles such as curtains, cushions, or a rug. Its light reflectance value of 13 is very dark, so a full room in this shade will feel enclosed unless the space is large and well lit.

Do the greens and browns work in a small room?

Yes, if they are used with the light off-white on the walls. Keep the browns to floors, trim, or furniture, and use the greens in small amounts so the room still feels open.

Image: The Metropolitan Museum of Art, Public domain (CC0). Palette, posterized image, details and room views generated by Light & Pigment from that image. Colors look different on screen than on a wall, so always test a sample.