19th-century French painting · art-to-room palette

Fruits of the Midi Color Palette & Paint Colors

This palette comes from Pierre-Auguste Renoir's "Fruits of the Midi" (1881, The Art Institute of Chicago), an oil on canvas. It suits rooms that want soft greens and pale walls, with warm red and ochre accents for contrast.

Quick answer

Use the pale green-white #D9E0D6 on the walls, and the muted sage #7B8972 on larger pieces such as a sofa or cabinets. Add the deep terracotta #B9523B in small doses, like art or cushions, and use the olive #A3A54E for textiles.

Date
1881
Collection
The Art Institute of Chicago
Image license
Public domain (CC0)
Wall color LRV
73
Fruits of the Midi by Pierre-Auguste Renoir
Pierre-Auguste Renoir, Fruits of the Midi, 1881. The Art Institute of Chicago, open access. The bar shows each color's measured share of the canvas.

The 6 colors in this painting

Measured from the image and ordered by how much of the canvas they cover. LRV is how much light a color reflects, from 0 for black to 100 for white.

Muted sage green
#7B8972 · 44.9% · LRV 23
Pale green-white
#D9E0D6 · 22.7% · LRV 73
Burnished golden ochre
#B07F43 · 9.6% · LRV 25
Dark plum-brown
#4F4247 · 9.2% · LRV 6
Deep terracotta red
#B9523B · 7% · LRV 17
Mossy olive green
#A3A54E · 6.7% · LRV 35

Where each color lives in the painting

Left, every pixel of the canvas snapped to its nearest palette color. Right, the detail where each color is strongest.

Fruits of the Midi reduced to its palette colors
The same scene in 6 flat colors.
Detail of the painting where Muted sage green is strongest
Muted sage green
Detail of the painting where Pale green-white is strongest
Pale green-white
Detail of the painting where Burnished golden ochre is strongest
Burnished golden ochre
Detail of the painting where Dark plum-brown is strongest
Dark plum-brown
Detail of the painting where Deep terracotta red is strongest
Deep terracotta red
Detail of the painting where Mossy olive green is strongest
Mossy olive green

Closest paint colors

The nearest color from each brand. “Near-identical” and “Very close” are hard to tell apart on a wall; with “Similar”, compare a sample with the painting. Brands with nothing close are left out.

Painting color Closest paints LRV Use it for
Muted sage green
#7B8972
  • Valspar 5007-4B Northern Glen Very close
  • Sherwin-Williams SW 6193 Privilege Green Very close
  • Behr PPU11-02 Shallot Bulb Very close
  • Farrow & Ball No. 34 Calke Green Close
23 Bed, sofa, curtains
Pale green-white
#D9E0D6
  • Valspar 5003-1A Quiet Mint Very close
  • Behr 790C-2 Silver Drop Very close
  • Sherwin-Williams SW 6455 Fleeting Green Very close
  • Farrow & Ball No. 204 Pale Powder Very close
73 Main walls
Burnished golden ochre
#B07F43
  • Behr S270-6 Almond Brittle Near-identical
  • Sherwin-Williams SW 6377 Butterscotch Very close
  • Valspar 3009-5 Pumpkin Squash Close
  • Farrow & Ball No. 66 India Yellow Similar
25 Small accents, art, accessories
Dark plum-brown
#4F4247
  • Sherwin-Williams SW 6272 Plum Brown Near-identical
  • Behr 740B-6 Windsor Near-identical
  • Valspar 1011-8 Antique Burgundy Very close
  • Farrow & Ball No. 294 Paean Black Close
6 Small accents, art, accessories
Deep terracotta red
#B9523B
  • Sherwin-Williams SW 6629 Jalapeño Very close
  • Behr HDC-FL14-3 Fall Foliage Very close
  • Valspar 2010-5 Orange Maple Very close
  • Farrow & Ball No. 212 Blazer Similar
17 One bold piece
Mossy olive green
#A3A54E
  • Behr M330-6 Keemun Close
  • Sherwin-Williams SW 6718 Overt Green Close
  • Valspar 6007-6B Gilded Pesto Close
  • Farrow & Ball No. 287 Yeabridge Green Similar
35 One small textile

Paint names belong to their brands. Matches are measured from screen colors and are approximate; Light & Pigment is not affiliated with any paint brand.

How pale green-white looks in your light

The wall color shifted for the light it will live in. Check the version closest to your room before buying a sample.

North-facing room#C3CBC9

North light is cool and soft. The pale wall will look calmer and slightly greener, so it works well in a room that gets little direct sun.

South-facing room#E1E1D1

Strong south light makes the pale wall look brighter and can wash out the green. The sage and terracotta will look richer and more saturated in this light.

Evening, warm lamps (2700K)#BCB198

Warm evening bulbs push the greens and the pale wall toward yellow. The terracotta and ochre will look cozier and more glowing after dark.

Try the palette in a room

Pick which painting color goes on the walls, the big furniture and the bold piece. Floors, shadows and light follow your choices.

Walls
Bed, sofa, island
Bold piece

Wood takes a warm mid-brown and the rug border takes Mossy olive green in every combination.

Mood board

Details from the painting next to the colors and materials that carry them into a room.

Pale green-white
Muted sage green
Deep terracotta red
Linen
Oiled oak
Lime plaster
Aged brass
Palette card for Fruits of the Midi

Save this palette

A card with the painting, all 6 colors and a room scheme. Pin it, or take it to the paint store.

Save to Pinterest Download card

Guides that use colors from this painting

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FAQ

Which color should I use on the walls?

Use the pale green-white #D9E0D6 on the walls. Its light reflectance value is 73, so it bounces light well and keeps a small room from feeling closed in.

Can I use the dark plum-brown in a small room?

Use it sparingly. Its light reflectance value is 6, so it reads very dark. A single piece, such as a door or a shelf, will add depth without shrinking the room.

How do I balance the warm red with the greens?

Keep the terracotta #B9523B to small areas, such as a cushion, a vase, or a framed print. The sage and olive greens carry most of the room, and the red sits on top as a warm note.

Image: The Art Institute of Chicago, Public domain (CC0). Palette, posterized image, details and room views generated by Light & Pigment from that image. Colors look different on screen than on a wall, so always test a sample.